— 10×10 Photobooks

The next stop for the AWAKE Reading Room will be the Image Text Ithaca Symposium on June 30th and July 1st.

Take a road trip, breath some fresh air and see our ever-expanding selection of protest, resistance and socially aware photobooks.

 

installations view at the Magnum Foundation (June 17, 2017)

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Check out all the great photobooks posted by our guest-a-grammers!

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Want to know more about CLAP! 10×10 Contemporary Latin American Photobooks, read this wonderful interview in JOIA magazine with Ricardo Baez, the book’s designer.

Or this insightful review by Gabriela Cendoya-Bergareche.

Our AWAKE reading room is also garnering interest in Latin America. Read this write-up about the inclusion of Santiago Escobar-Jaramillo in Periodico Arteria (Colombia).

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Please join us on Saturday, June 17th for the AWAKE at Magnum Foundation Reading Room, Book and Zine Bazaar. AWAKE brings together a diverse group of independent producers of books, zines and photo-related printed materials alongside a reading room organized by 10×10 Photobooks.

AWAKE is free and open to the public. Stop by and browse the 10×10 reading room – and buy books and zines that address issues of liberty, resistance, and protest.

Saturday, June 17, 2017, 12 p.m. to  7 p.m.

Magnum Foundation
59 East 4th Street, 7W
(Between Bowery and Second Ave.)
New York City
#awake10x10MF
Facebook Event Page

Book and Zine Bazaar Participants:
3 Dot Zine
Aperture
Archive of Modern Conflict
Bluestockings
Brown and Proud Press
8-Ball Zines
Interference Archive
Nueva Luz / En Foco
Red Hook Editions
Research & Destroy
The New Press

A special thanks to Akshay Bhoan for developing the AWAKE graphic.

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French Publisher Chose Commune in Association with the International Center of Photography Library

On Tuesday, 25 April 2017, we spent an evening at the ICP Library with Cécile Poimboeuf-Koizumi and Vasantha Yogananthan of Chose Commune. 

Founded in 2014, Chose Commune is a French independent publishing house devoted to photography books, which values book-objects with bold design and editorial choices. It aims to publish emerging photographers as well as established figures with unpublished material. 

Cécile and Vasantha will share their personal projects (Vasantha is in town receiving ICP’s 2017 Infinity Award for Emerging Photographer), and some recent award-winning Chose Commune photobooks, including Shoji Ueda (2015), Astres Noirs by Katrin Koenning and Sarker Protick (2016), The Promise by Vasantha Yogananthan, and Sobras by Geraldo de Barros (2017).

Cécile Poimboeuf-Koizumi, born in 1987, is a French publisher. Vasantha Yogananthan, born 1985, is a French photographer and publisher. He is currently working on a long-term project in India, A Myth of Two Souls, inspired by the epic tale of the Ramayana. 

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Collaboration: A 10×10 Salon Exploring the Relationship Between Publishers and Photographers

On Wednesday, 5 April 2017, we gathered on Manhattan’s Bowery for conversation with some of the most talented independent publishers in New York and the photographers with whom they work.
The making of small run artists’ books and photobooks requires a special collaboration between artist and publisher. Each project is a creation individually tailored and designed by individuals working closely together: this salon is an exploration of the intense process of book-making, led by some of our foremost designers, publishers and artists.

Kevin Messina is the founder and creative director of Silas Finch, a publishing house and design studio based in New York. Its publishing program has established a reputation for producing titles of exceptional quality, with a unique approach to combining material and construction to support the artist’s vision.

Pau Wau Publications is an independent publishing press dedicated to the production of limited editioned books and zines of contemporary photography and art, founded in 2008 in Brooklyn, by photographer Andreas Laszlo Konrath and designer Brian Paul Lamotte.

Jordan Sullivan is a writer and artist living in Los Angeles. His photographs, curatorial projects and prose have appeared in numerous publications. His most recent book, Remaining Light, was published by Silas Finch (2016). He is the co-founder of the publishing project 205-A.

Mike Tan is founder and director of Rubber Factory, a contemporary art gallery specializing in photo-based works.

Romke Hoogwaerts is the founder of independent photobook publishing project Mossless (2009) and co-founder of Rubber Factory Posters (2016). He has also worked as a full-time photo editor at titles like MSNBC and Businessweek.

Cole Barash is a visual artist based is Brooklyn who also makes books. His work is experimental and focuses on the color-and-composition dialogue between two objects or moments.

And a big thank you to Stephanie and Jens for hosting at their photo studio loft.

 

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Magnum Photobook: The Catalogue Raisonne

On Wednesday, 22 March 2017, we gathered on Manhattan’s upper west side for a “books on books” discussion with Carole Naggar and Fred Ritchin, authors of the recently released Magnum Photobook: The Catalogue Raisonne.

Carole Naggar is a poet and photography historian. She has written biographies of George Rodger, Werner Bischof and David Seymour (Chim). Among her recent contributions are an essay Saul Leiter: In My Room (Steidl, 2017) and a translation of Henri Cartier-Bresson: Interviews and Conversations, 1951 – 1998 (2017), as well as two volumes of poetry: Haiku by Night (Dobbin Books) and Voyage à Kyoto (Pixel Press).

Fred Ritchin is Dean of the School at the International Center of Photography. His books include After Photography (WW Norton, 2008) and Bending the Frame: Photojournalism, Documentary, and the Citizen (Aperture, 2013). The exhibition based on his book on alternative social documentary, “Bending the Frame,” will be shown at New York University and also at the Preus Museum in Norway in 2017.

And a big thank you to Deirdre Donohue and the International Center of Photography Library for allowing us to share a few of the Magnum photobooks in their collection.

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A photobook anthology that documents CLAP!, a traveling reading room exhibition of 130 contemporary Latin American Photobooks from 2000 to 2016. Organized by 10×10 Photobooks, the project launched at the Carnegie Museum of Art in Pittsburgh in May 2016, and traveled to the Aperture Foundation in New York City in November 2016, before concluding at the Museum of Fine Arts, Houston in March 2017. Selected by 12 Latin American specialists (either in teams or individually), the books presented offer a range of recently published Latin American photobooks that are rarely seen or available outside the region. The selected books represent many of the most exciting innovations in Latin American photography and publications.

Copiously illustrated and indexed, the CLAP! publication provides full color spreads and detailed bibliographic information for all 130 photobooks included in the reading room. Designed by Ricardo Báez, CLAP! includes essays by Luis Weinstein and Joaquim Marçal F. de Andrade.

Publisher: 10×10 Photobooks, Inc. (New York City)
Date of Publication: March 2017
Size: 29 cm high x 20 cm wide (11.5 x 8 inches)
Pages: 244
Binding: Softbound, Smith sewn with dust-jacket that converts to two-sided poster
Edition Size: 600 copies
Editors: Olga Yatskevich, Russet Lederman and Matthew Carson
Associate Editor: Michael Lang
Designer: Ricardo Báez
ISBN: 978-0-692-83478-7

PRESS

CLAP!- 10×10 press release
Thank you Gabriela Cendoya ~ fotolibros y algo mas for your thoughtful CLAP! review on 28 April, 2017.

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Child’s Play: Photobooks for and about Children

On Sunday, February 12, 2017, we gathered on Manhattan’s upper west side for presentations on photobooks for and about children and adolescents by Sara Kramer of New York Review Books Classics, photographer Isabelle Evertse and photobook collector and translator Frédérique Destribats. 

Sara Kramer is the managing editor of New York Review Books Classics and the New York Review Children’s Collection, where she oversaw the 2012 rerelease of Eikoh Hosoe and Betty Lifton’s children’s classic, Taka-Chan and I: A Dog’s Journey to Japan by Runcible.

Isabelle Evertse is a photographer, curator and editor based in France. She founded piK magazine, dedicated to promoting photographers worldwide in March 2012 and has written reviews for several publications including Aperture and Off The Wall. She recently launched her own photobook alongside Kummer & Hermann, a project published by A-Jump books in 2016. In addition, Evertse publishes Co-Curate magazine, a limited edition publication that invites a different editor to collaborate with her for each issue. The current issue, focused on adolescence, is co-curated with Frédérique Destribats.

Frédérique Destribats works as a translator with a focus on photography and art, collaborating with various international publishers, editors, institutions, galleries and artists. She recently initiated a publishing platform, The Sunday Publisher, home to the collections Photographers’ References, a series of in-depth conversations with artists, and d&books, exploring the relation between textual and visual narration. For the past year, Destribats has been researching several public and private children’s photobooks collections.

And a big thank you to Deirdre Donohue and the International Center of Photography Library for allowing us to share a few of the children’s books in their collection.

Salon Guests

Sara Kramer

Isabelle Evertse

Frédérique Destribats

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Protest Photobooks and Literature from Japan and the USA

On Sunday, February 12th at the Magnum Foundation in NYC, 10×10 was pleased to hold an evening of presentations on Japanese and American protest photobooks and literature with photographer John Gossage and cultural strategist Danielle Jackson.

A highly respected photographer, John Gossage is well known for his more than 35 artist’s books and photographic publications, including his groundbreaking 1985 photobook, The Pond. Having devoted his life to photography and the music of Charles Edward Anderson Berry since the age of 14, Gossage is also recognized as an important and early advocate of Japanese postwar photography. Over the years, he has amassed a working library that contains most of the seminal Japanese photobooks, including protest books from the 1960s and ’70s. Gossage‘s presentation will focus on protest photobooks by both known and unknown photographers from Japan.

Danielle Jackson is interested in the efficacy of social protest beyond political demonstration. She will consider how strategies such as non-participation, spectacle, and self-invention have been conveyed through photography, performance, and nonfiction literature. Jackson has worked with leading photographers, filmmakers, and cultural institutions to develop projects, partnerships, and initiatives for social impact. She has worked with Magnum Photos, Stanford University, NYU, WNYC, the Global Fund to Fight AIDS, Tuberculosis and Malaria, MoMA, Tribeca Film Institute, and Open Society Foundations. She is the co-founder and former co-director of the Bronx Documentary Center, an internationally-recognized gallery dedicated to photography and social change. Her projects have been covered in media outlets including CBS Evening News, the Wall Street Journal, The New Yorker, Slate, New York Magazine, The Guardian, among others. She currently teaches for Stanford in New York and International Center of Photography.


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