CLAP! – 10×10 Contemporary Latin American Photobooks
13-15 May 2016 at PGH Photo, Carnegie Museum of Art, Pittsburgh
2-5 November 2016 at Aperture Foundation, New York City
March 2017 at Hirsch Library, Museum of Fine Arts, Houston
CLAP! – 10×10 Contemporary Latin American Photobooks is a photobook reading room that presents 130 Contemporary Latin American Photobooks from 2000 to 2016. Organized by the nonprofit 10×10 Photobooks, the project launched at the PGH Photo Fair at the Carnegie Museum of Art in Pittsburgh from 13-15 May, 2016 and will pop-up at the Aperture Foundation in New York City from 2-5 November, 2016 before concluding at the Museum of Fine Arts, Houston (MFAH) in March 2017. At the end of the reading room tour, all the books in the project will be donated to The Hirsch Library at the MFAH.
Selected by 12 Latin America specialists (either in teams or individually), the reading room is a hands-on opportunity for North American audiences to browse a range of recently published Latin American photobooks that are rarely seen or available in the US. The selected books, representing many of the most exciting innovations in Latin American photography and publications right now, will be documented in a forthcoming comprehensive volume designed by Ricardo Báez that will also include essays on contemporary Latin American photobooks by Luis Weinstein and Joaquin Marçal F. de Andrade.
Lean more about CLAP! at these upcoming events
Friday, 28 October 2016, 7 to 9 PM
CLAP! Panel Discussion at the Americas Society
680 Park Ave, New York
Moderated by Christopher Phillips with panelists Paula Kupfer, Leandro Villaro and Pablo Lopez Luz
Free and open to the public. Registration Required
2 – 5 November 2016
CLAP!—10×10 Contemporary Latin American Photobooks Reading Room
at Aperture Foundation
547 West 27th Street, 4th Floor, New York
Salon Reception: Wednesday, 2 November, 6 to 8 PM
Chilean photographer Luis Weinstein and Venezuelan photobook graphic designer Ricardo Báez will share their work and broad knowledge of contemporary Latin American photobooks.
After Party: Thursday, 3 November, 6 to 8 pm
Surprise guests and door prizes.
Shhhh! Don’t let the secret out.
Aperture Reading Room Hours
Wednesday, 2 November, 10 am to 8 pm
Thursday, 3 November, 10 am to 8 pm
Friday, 4 November, 10 am to 6 pm
Saturday, 5 November, 10 am to 6 pm
CLAP! Guest Selectors
Nicolás Wormull, Luis Weinstein, Leandro Villaro & Diran Sirinian, Ramón Reverté, Diana Rangel, Rony Maltz & Allegra Cordero di Montezemolo, Paula Kupfer, Julieta Escardó & Nicolás Janowski, Eneka Fernández & Mike Fernández, Ana Casas Broda & Gerardo Montiel Klint, Claudi Carreras Guillén & Iatã Cannabrava, and Ricardo Báez.
CLAP! includes photobooks by
Rodrigo Abd, Rafael Adorján, Luján Agusti, Carlos Altamirano, Claudia Andujar, Abraham Araujo & Gustavo Dao (aka Bestialo Culapsus), Ricardo Peña Bacalao, Daniel Barraco, Ana Baumann, Alejandra Ugarte Bedwell, Beatriz Bellorín, Ernesto Benavides, Rodrigo Benavides, Julio Bittencourt, Iñaki Bonillas, Miguel Rio Branco, Juan Brenner & Byron Mármol, Pablo Cabado, Miguel Calderón, Santiago Carrera, Alejandro Cartagena, João Castilho, Deborah Castillo & Alonso Núñez, Carolina Cattan, Alejandro Chaskielberg, Ramiro Chaves, Ana Costa, Matías Costa, Pedro David, Cristina de Middel, Estefania d’Esperies, Gustavo Di Mario, Juan Toro Diez, José Diniz, Alex Dorfsman, Camilo Echavarría, Santiago Escobar-Jaramillo, Fabián España, Federico Estol, Guillermo Faivovich & Nicolás Goldberg, Erick Faúndez, Manuel A. Fernández, Verónica Fieiras, Francilins, Guadalupe Gaona, Paolo Gasparini, Adriana Genel, Guilherme Gerais, Maya Goded, Mauricio Toro Goyo, Amada Granado, Lourdes Grobet, Philippe Gruenberg, Pablo Guidali, Santiago Hafford, Pablo Hare, Fernando Fujimoto Hasegawa, Jonathan Hernández, Roberto Huarcaya, Adelaide Ivánova, Claudia Jaguaribe, Pablo Larreta, Roberto Linsker, Ícaro Lira, Pablo López Luz, Luz en la Piel, Jorge Macchi, Mayra Martell, Pedro Martinelli, Edgar Martínez, Sebástian Mejia, Enrique Metinides, Gian Paolo Minelli, Luis Molina-Pantin, Pablo Ortiz Monasterio, Sara Maneiro Montiel, Edgar Moreno, Italo Negro, Musuk Nolte, Alejandro Olivares, Cristóbal Olivares, André Penteado, Ewa Priester, Rodrigo Ramos, Mayana Redin, Rosângela Rennó, Mauro Restiffe, Pal Kerese Riveros, Javier Rodríguez, Germán Rojas, Guadalupe Ruiz, Felipe Russo, Nicolás Sáez, Mariela Sancari, Gustavo Sancricca, Tiago Santana, María José Sesma, Maíra Soares, Francisco Solórzano (Frasso) & Tom Grillo, Alfredo Srur, Anna Thereza, Carsten Todtmann, Gilberto Tomé, Roberto Molina Tondopó, Nicolas Torres, Juan Diego Valera, Lorena Guillén Vaschetti, Luis Weinstein, Andrés Marroquín Winkelmann, Bob Wolfenson, Nicolas Wormull, and Julio Zenil.
10×10 was featured in a November 21, 2016 article in the Japanese weekly art publication Shin Bijutsu Shinbun. Thank you Reiko Tomii for the nice write-up! http://www.art-annual.jp/column-essay/essay/63419/
An evening of photobooks with Jessa Fairbrothers, Lucy Helton, Virginie Rebetez and Delphine Bedel
Wednesday, 12 October 2016
With so many incredible photobooks being published by women photographers and editors, this 10×10 salon showcased past and present projects by 4 women who all hail from Europe.
The evening’s presentations included writer / publisher Delphine Bedel and Swiss photographer Virginie Rebetez presenting their new publication Out of the blue, a conceptual work about the disappearance of teenager Suzanne Gloria Lyall*; British artist Jessa Fairbrother sharing her exquisite hand marked photobooks that explore gesture and the self performed; and New York-based British photo artist Lucy Helton discussing her inventively designed photobooks that unearth beauty in decaying fictive and real landscapes.
*We were also fortunate to have present at the salon Suzanne’s mother Mary Lyall.
Bristol based photographer JESSA FAIRBROTHER explores the familiar and the personal, where yearning and performance meet each other in photography. She holds an MA in Photographic Studies from the University of Westminster and is the recipient of bursaries and honorable mentions in the UK, Europe and Canada. Her work is held in the libraries of both the Victoria and Albert Museum, London and the Museum of Fine Arts, Houston, the permanent collection of the NHS and many private collections.
Born in London and based in New York, LUCY HELTON received her master’s degree in fine art photography from Hartford Art School, CT, in 2014. Her first book “Actions of Consequence” was nominated for the MACK First Book Award 2014, shortlisted for the Kassel Dummy Award 2015, and The Anamorphosis Prize 2015. Her most recent book “Transmission” (Silas Finch, 2015) is a communication from our future to our recent past and was shortlisted for the Paris Photo-Aperture First Book Award 2015. Helton is immersed in photo book making and has participated in various book fairs and festivals in New York, L.A., London, Germany and France.
DELPHINE BEDEL is an artist, editor, publisher and lecturer, specialized in emerging practices in photography, design and publishing. The founder of Meta/Books and Amsterdam Art/Book Fair, she regularly contributes to books and magazines, and is a member of the advisory board of the Mondriaan Foundation and the German Photography Academy (DFA). Meta/Books is a publishing and academic research platform, developing cutting-edge projects at the intersection of visual and digital cultures. She teaches at the Design Academy Eindhoven and at the Piet Zwart Institute (NL) and is doctoral researcher at UCA – University of Creative Arts (UK).
VIRGINIE REBETEZ is a photographer based in Lausanne, Switzerland. In 2014, she was selected by Le Canton de Vaud to spend 6 months in New York as an artist in residence, where she realized Out of the blue. The project was selected for the Swiss Design Awards in 2016 and shown during Art Basel. She has received numerous awards including the Prix Leica during the 29th International Festival of Fashion and Photography in Hyères (F) and the prestigious grant from La Fondation Leenaards, in 2014. Her work is part of museum and private collections internationally.
10×10 invites Alejandro Cartagena, Max Pinckers and Maciej Markowicz
Wednesday, 14 September 2016
As summer faded to fall and we said adiós to that afternoon glass of rosé, 10×10 found time to catch up on photobooks with Belgian photographer Max Pinckers and Mexico-based Dominican photographer Alejandro Cartagena. In addition, we welcomed Maciej Markowicz, who shared his fascinating camera obscura van project The Moving Camera.
Alejandro Cartagena lives and works in Monterrey, Mexico. His work has been exhibited internationally and is in the collections of several institutions including the SFMOMA, the MoCP, the MFAH, the Harry Ransom Center, the West Collection and the George Eastman House among others. He has received the Photolucida Critical Mass book award, the Lente Latino award in Chile, the Premio Salon de la Fotografia from the Fototeca de Nuevo Leon and the Premio IILA-Fotografia 2012 award in Rome. He has been named a FOAM magazine Talent and one of PDN´s magazine 30 emerging photographers. He has published and self published several books including Suburbia Mexicana (2012 Photolucida/Daylight),Carpoolers 2014, Before the War 2015, Rivers of Power 2016 and Santa Barbara return jobs back to USwith Skinnerboox in 2016. Alejandro’s work has been published internationally in magazines such as Newsweek, Nowness, Domus, the Financial Times, View, the Guardian, le Monde, Stern, PDN, the New Yorker, the Independent, Monocle and Wallpaper among others.
Max Pinckers grew up in Asia and then moved to his native Belgium. Pinckers‘ work is largely oriented around long-term subjective documentary projects presented as photobooks and installations such as The Fourth Wall and Will They Sing Like Raindrops or Leave Me Thirsty. His work has been exhibited internationally, including at Bozar – Centre for Fine Arts, Brussels; Fotomuseum, Antwerp; and Flanders Center, Osaka, among others. In 2015 Max Pinckers became a nominee member of Magnum Photos.
Maciej Markowicz is a Polish artist who lives and works in Brooklyn. After a childhood spent in his grandfather’s painting studio and his father’s metal shop, Markowicz pursued photography, studying in London and New York. His work combines photography and design to explore the pictorial language of fine art with the intrinsically utilitarian orientation of graphic design. Markowicz is inspired by the basic principles of photography, its ability to draw light, and poetic immaterial impressions of place.
An Evening with Barbara Tannenbaum and TR Ericsson
Friday, September 9, 2016
We enjoyed a fantastic salon focused on photo-zines, DIY photobooks and artists’ books with presentations by artist TR Ericsson, the creative voice behind the 150-issue Crackle & Drag Zines, and Cleveland Museum of Art Photography Curator Barbara Tannenbaum, who organized DIY: Photographers & Books, one of the first American museum exhibitions on DIY and indie photobooks.
Last year, Tannebaum curated TR Ericsson: Crackle & Drag at the Transformer Station, a free space for contemporary art in Cleveland. The show presented Ericsson’s zines and mixed-media works, which mine photographs, documents, writings, film stills, and artifacts from his family archives dating back to the 1930s. Chronicling several generations of his Midwestern American family—with many of the pictures of his mother, who committed suicide in 2003—the series evokes universal themes of love and loss. The Crackle & Drag exhibition catalogue was shortlisted in 2015 for the Paris Photo-Aperture Photobook Awards.
Photo: Daniel Levin
Barbara Tannenbaum, Curator of Photography at the Cleveland Museum of Art, has been involved with artists’ books since the mid-1970s. She has organized almost 100 exhibitions including solo shows of TR Ericsson, Adam Fuss, Hank Willis Thomas, Ralph Eugene Meatyard, Lois Conner, and Andrew Moore as well as the first museum show of print-on-demand photobooks, DIY: Photographers & Books.
TR Ericsson’s work has appeared in solo and group exhibitions in the United States and abroad including those with Kunsthalle Marcel Duchamp, Switzerland; Francis M. Naumann Fine Art, NY; Paul Kasmin Gallery, NY, and Harlan Levey Projects, Brussels. Ericsson’s work is in the permanent collections of the Whitney Museum of American Art, the Cleveland Museum of Art, the Indianapolis Museum of Art, the Yale University Library (Special Collections) and the Progressive Art Collection as well as numerous private collections. The artist’s first solo museum exhibition TR Ericsson: Crackle & Drag opened at the Cleveland Museum of Art on May 23, 2015. A hybrid artist’s book and scholarly monograph published by the Cleveland Museum of Art and distributed by Yale University Press accompanied the exhibition.
Richard and Ronnie Grosbard hosted the the event at her home in Manhattan. Thank you Richard and Ronnie!
We are happy to report the successful launch of the ¡CLAP! reading room at PGH Photo at the Carnegie Museum of Art in Pittsburgh from 13 to 15 May. The Pittsburgh audience couldn’t have been more welcoming. It was a pleasure to introduce and share so many incredible contemporary Latin American photobooks from the past 16 years.
The next reading room will pop-up in New York City this fall.
Stay tuned for more details!
An Evening with Sohrab Hura and Tim Soter
The Self-Published Photobook
Friday, April 22, 2016
We had a wonderful salon focused on self-published photobooks with photographers Sohrab Hura and Tim Soter.
Sohrab Hura is an Indian photographer, who originally trained as an economist. Gradually he turned to photography, shooting his immediate surroundings, family and close friends as he began to “[photograph] just for the love of making photographs.” Eventually, he made the leap to photography as his full-time occupation. In 2014, Sohrab became the second Indian photographer ever to be elected a nominee member of Magnum Photos — quite an artistic and personal journey in such a short period of time. Sohrab spoke about his self-published photobook Life is Elsewhere, the intimate and poetic journey of a son who puts together the conflicting pieces of his young life.
Tim Soter is known for his active search for interesting environments as well as his photographic sense of humor. He was raised in a log cabin, studied photography in Pennsylvania, and in 1994 moved to Brooklyn. He has photographed the President of Syria, spent the afternoon at Slash’s house, and once had nine seconds to shoot Daft Punk eating corn on the cob. Tim’s most recent photobook TIM! GO AWAY! explores his obsession with photographer and artist Duane Michals. The book is full of funny stories recounting how Tim successfully stalked his photography hero into a genuine friendship.
Lanie McNulty hosted the the event at her home in Manhattan. Thank you Lanie!
From VIVO to Provoke and Beyond
With Matthew Witkovsky, Sayaka Takahashi, Takashi Arai and Munemasa Takahashi
On April 12th, 10×10 hosted its 10th photobook salon. The topic was postwar Japanese photobooks from the late 1950s until the present. Our presenters included Matthew S. Witkovsky, Sandor Chair of Photography at the Art Institute of Chicago and Sayaka Takahashi, director of PGI Gallery in Tokyo. Also present were photographers Takashi Arai and Munemasa Takahashi.
Matthew Witkovsky has been active in art museums and galleries since the 1980s. He has curated more than 20 exhibitions, authored ten books and dozens of articles for journals. As Chair of the Photography Department at the Art Institute of Chicago, Matthew has contributed to the museum’s forthcoming László Moholy-Nagy retrospective (October 2016). He is also a co-curator of Provoke: Photography in Japan between Protest and Performance, 1960-1975, a traveling exhibition currently on view at the Albertina Museum in Vienna and scheduled for a 2017 opening at the Art Institute of Chicago.
Matthew spoke on the development and background of the Provoke exhibition. In particular, he focused on research related to the following Provoke and protest books: Record of Anger and Sadness (1960) by Hiroshi Hamaya, I Am a King (1972) by Shomei Tomatsu, Tokyoites (1983) by Yutaka Takanashi, “Accident” series from Asahi Camera (1969) and Bye-Bye Photography (1972) by Daido Moriyama, and For a Language to Come (1970) by Takuma Nakahira.
Sayaka Takahashi began working in the field of photography at the PGI Gallery and the Higashikawa International Photo Festival in 1998. As PGI Gallery Director, she has worked closely with many of the most celebrated postwar photographers – in particular Yasuhiro Ishimoto, Ikko Narahara and Kikuji Kawada, the latter two photographers co-founders of the highly influential VIVO collective from 1959–1961. In addition, she is responsible for introducing contemporary Japanese photographers to international audiences.
Sayaka presented two critically important, but lesser known books by VIVO photographers: Japanesque (1970) by Ikko Narahara and The Globe Theatre (1998) by Kikuji Kawada. Also present at the salon were PGI Gallery photographers Takashi Arai (2016 winner of the 41st Kimura Ihei Award for his book Monuments) and Munemasa Takahashi (organizer of the Lost and Found project and author of Laying Stones), who joined Sayaka in a discussion about their recent books. Works by Kawada, Arai and Takahashi are currently on view in Japan Society’s In the Wake exhibition.
10×10 Photobooks Salon
with Susan Meiselas and Kristen Lubben
Wednesday, February 24, 2016
Moderated by Bryan Formhals and recorded for the LPV Show
Photographer Susan Meiselas and curator / Magnum Foundation Executive Director Kristen Lubben have been collaborating on photography publications since the release of Susan’s artist’s book Encounters with the Dani in 2003. Five years later, they conceived the career survey and critical essay collection Susan Meiselas: In History in conjunction with a major retrospective at the International Center of Photography. The publication went on to win the Rencontres d’Arles Historical Book Award and the Kraszna-Krausz Foundation Award. Susan has a long history of bookmaking in her own practice, beginning with the seminal photobooks Carnival Strippers (1976) and Nicaragua (1981), and including her archival, curatorial work in the historical compilation Kurdistan (1997).